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Madame Electrifie

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With an electrifying career spanning 20 years, Madame Electrifie has become a powerhouse in the UK’s underground music scene. From early sets at legendary venues like Turnmills and Ministry of Sound to commanding festival stages at Glastonbury, Bestival, Nozstock, Shambala, and more, her reputation as a genre-blending, dancefloor-focused DJ is unmatched.

A firm festival favorite, she’s brought her unique energy to crowds at Boomtown and Beatherder, even curating her own stage experiences as part of Madame Electrifie’s Discotech. Along the way, she’s shared the stage with industry heavyweights including The Stanton Warriors, Krafty Kuts, A Skillz, Annie Nightingale, Rob Da Bank, and many more.

The past few years have been pivotal, with a 14-date festival tour in 2023 featuring performances at Glastonbury, Secret Garden Party, Wilderness, and beyond. Her remix of Sam Redmore’s “Music Is” caught the attention of BBC 6 Music’s Jamz Supernova, while her remix for Bazza Ranks on Bombstrikes soared to #1 on the Juno Disco chart.

Carrying this momentum into 2025, she continued to dominate both club and festival circuits while dropping a steady stream of releases, securing three Juno Download No.1s and working with labels like Bombstrikes and The Payback Project. With even more music on the horizon, 2026 promises to be another game-changing year for this veteran party-starter.

Known for her versatility behind the decks, Madame Electrifie seamlessly transitions between daytime disco grooves and late-night bass-driven rave sets, always keeping the dancefloor at the heart of her sound. Her ability to blend global influences into a high-energy, infectious mix makes every performance a unique experience.

Beyond her solo work, she is also one half of Evil Twin, a dynamic duo with Mini Da Minx, and a producer in the electronica/trip-hop trio Cassini Circles.

With an unstoppable drive and a passion for pushing creative boundaries, Madame Electrifie continues to leave her mark on the electronic music scene—one bassline at a time.